Subject: Identity
Much of my work is centered on my own identity and what distinguishes me from others, or my art from that of other artists. I typically turn inward, and look for a unique or defining characteristic or experience about myself that can aid in this. I want to contribute something else to the art world, not more of the same. This strive to find and create something original is one of the defining characteristics of my work as an artist. My cultural and social identity are also very influential on my work. I am a young woman, living in America. This makes my work very different than that of someone from another country, or a less privileged socioeconomic background.
My work often deals with my stuttering, or personal challenges I have. While I’m presenting a challenge that I deal with, others can relate to my work in terms of challenges of their own. There is no limit to the impact our personal trials have on our lives and our work as artists. I am mainly attempting to solidify my artistic identity in my work, while exploring ideas that interest me.
Identity can be viewed in many different ways, including individual and communal identity. Previously, my work with Identity has been very individual and personal, with working towards finding my identity as an artist. This has been done through looking at previous styles and ideas in art, and finding what I want to address in modern terms. Alphonse Mucha is an artist I have been extremely inspired by and whose work I find appealing and intriguing. I love his style and art nouveau technique and have found inspiration for many pieces in his lithograph prints. Alternately, modern artists such as Shepard Fairey and Bill Viola have also have work that inspires me and influences my choices in work. By looking at the work of others, and testing what ideas I like, I can make progress in determining who I am as an artist, and what issues I want to address in what way.
Identity can be viewed in many different ways, including individual and communal identity. Previously, my work with Identity has been very individual and personal, with working towards finding my identity as an artist. This has been done through looking at previous styles and ideas in art, and finding what I want to address in modern terms. Alphonse Mucha is an artist I have been extremely inspired by and whose work I find appealing and intriguing. I love his style and art nouveau technique and have found inspiration for many pieces in his lithograph prints. Alternately, modern artists such as Shepard Fairey and Bill Viola have also have work that inspires me and influences my choices in work. By looking at the work of others, and testing what ideas I like, I can make progress in determining who I am as an artist, and what issues I want to address in what way.
Theory: Process and Material
Process is important in my work, as it is in many. While the process my not always be visible in the completed piece, the way it was created is often part of the piece. The materials used, and the manner in which I used them often are very influential on the final product. Creating a piece out of wood, versus plaster are very different projects. Similarly, creating a drawing or painting results in a much different product than using video or photography. These influences are all important in my work, and whether or not the process of making the piece is visible at the end depends on the content and nature of the art.
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